Game Center is probably the only one I can honestly say is worse. Generally speaking most the other examples are iterations done to keep up with design trends, but Game Center have lost meaning after the first iteration. Without context it's impossible to tell what the four bubbles are suppose to be.

Yes, macOS/iOS aesthetics reached their peak around 2013-14. Hardware-wise, the story is similar; the 2012 MacBook Pro was the most marvelous piece of hardware I've ever bought.

I miss that feeling. No part of me would agree that Apple is a more impressive company today than it was 13 years ago, despite its market cap.

Yes, I like how they're striking a balance between minimalism and skeumorphism. They often try to do more with less. The Photo Booth one is a good example. Away with that camera: Let's focus on the strip from a photo booth (and don't use actual photos because that's too messy at smaller sizes).

It looks like sometimes this approach has led to more details or an entirely different design, and sometimes less details. Almost like a normalization of sorts to better standardize around a level of details and amount of contrast and brightness.

> Now everything is this sad rounded cornered square.

You see this a lot in the absurd “modernist” design of clean lines, sharp edges, and lack of texture and depth across all industries.

Whether that’s your Thuma furniture where the price is high and your marketed to be told that the design is good, but it’s not at all - devoid of meaning and a sense of place, never mind that the quality of the materials are low and have no specific origin, or your run of the mill drone light show where we are fooling ourselves into thinking that drawing pictures of things like the Statue of Liberty (oh after the drones do the ads, brought to you by your local auto dealer) are good and should be appreciated instead of the vibrancy and brilliance of fireworks instead.

Apple has begun to transition this way too. There aren’t any designers working there. Look at the Calculator app as a great example.

They say perfection is not when there is nothing left to add, but when there is nothing left to take away. But there is a point where you take away more and more and more and your left with creations devoid of meaning or purpose.

Once you start seeing this in your day to day life you can’t unsee it. Sorry ahead of time for those who read this comment and become more attune to this phenomenon.

My hypothesis is that, at least on VisionOS, some apps are full of — almost cluttered with — 3D objects; and so Apple felt that, for the sake of your eye being easily able to jump to "where the UI is" amongst all that, the user needed to be able to visually differentiate/distinguish action buttons (incl. "buttons that launch apps" — essentially what these app icons are, esp. on the mobile OSes) from those 3D objects. This was achieved by ensuring that action buttons are always button-shaped, rather than allowing them to be arbitrary-object-shaped.

Note that, in this UX-design paradigm, the icon on (in?) a button still can be its own standalone object of arbitrary shape, rather than being forced to be button-shaped itself (see e.g. the Stickies or Game Center icons in TFA.) But that standalone object has to then be "encased" in the "app button" glass (as if encasing something in a puck of pourable resin), to make it visually obvious that this object is functionally a button, rather than just being some random 3D object with its own arbitrary interaction semantics.

Funny enough, this is almost exactly the complement to the problem of visually differentiating action buttons from 2D content. In a 2D UI, you want to make the action buttons more 3D-looking than the 2D stuff around them, to help them stand out. Thus the Windows XP / macOS 9 era of "jelly" buttons with that visually bulge toward the screen — standing proud of the content, affording touch.

But if everything is 3D / stands proud in arbitrary ways, then overlaid actions will stand out better if they're less 3D — making it clear that they're sitting "on the HUD" rather than "in the world." Such objects can be literal 2D — or you can get fancy and choose some unusual middle-ground, like the sort of 2.5D papercut-diorama look that "liquid glass" achieves.

Not just muted--I look at them and I genuinely feel like my vision is getting worse. I have this giant, beautiful high DPI display, but the icons don't look sharp anymore--they look like someone downsampled then upsampled them with a gaussian blur. Very weird choice for a company that used to pride themselves on the "retina" resolution of their display technology.

I feel like peak Apple icon design was around 2014, where they were high-resolution and clearly depicted what the application was. Since then, they are all moving towards these indistinct, abstract hieroglyphics.

Most people think of the brushed metal, but I've always liked the iTunes 10 dalliance with vertical window controls as a good example of this.

Honestly the 2001 one looks the best. It’s clean and obvious with no fussy gear detail.

But designers don’t get paid to keep things the same.