I stopped following it after Krulwich left in 2015 but they have an excellent archive from back in the day (the 2010s were the best years imo):
If you want some good episodes (do NOT read the summary on the linked pages - some contain spoilers).
The Ghost of Bobby Dunbar (https://www.thisamericanlife.org/352/the-ghost-of-bobby-dunb...) - about a kid in the first half of the 20th century who was abducted and then returned to his family - except to this day people debate whether the kid who was returned really was the kid who was abducted, and how his descendants have grappled with the issue.
When Patents Attack! (https://www.thisamericanlife.org/441/when-patents-attack) - an inside peek into how patent trolls work.
Petty Tyrant (https://www.thisamericanlife.org/419/petty-tyrant) - how a school maintenance employee rose to power by bullying. It's not so much the facts themselves but the masterful storytelling - especially near the end.
Dr Gilmer and Mr Hyde (https://www.thisamericanlife.org/492/dr-gilmer-and-mr-hyde) - about a doctor in a small town who everyone loved. He committed a heinous crime and ended up in prison. The story involves great investigative journalism on exploring why he committed the crime, and they unearthed very relevant details that were previously unknown (even to the criminal himself).
The last two episodes above were by Sarah Koenig, who you may know as the person behind Serial.
Stories steeped in humanity aren’t biased - less confident about you to be honest.
You’re already describing yourself as having some kind of secular redemption from that life.
You framed your own experience as the show would.
I don't expect the audience cares very much about this, though, which is sort of to OPs implied point. We've reached a place where each side of the political spectrum is not only happily ignorant of the other side's good points, but in fact, fearful of even having the discussion. If you go too far afield from the party line, you will be punished, and public radio (along with non-public radio, cable, broadcast news, and most other forms of legacy media) is a shrinking market, unwilling to alienate the core audience.
(The shorthand term for this is "audience capture", and IMO, This American Life has a death grip on a very particular sort of audience, which even if you set partisan politics aside, is representative only of itself.)
But they're still far from actually balanced. As a frequent listener, I'd characterize their overall coverage of conservatives as "a bemused, curious foreign tourist".
OP said it's a "slice", not a "statistically accurate representation". I think his intent was to say "They cover everything", not "They cover everything in due proportion".
And, BTW, I've yet to find any show (news or entertainment) that is even close to being statistically accurate representation of society. Such shows will not survive - not enough people will listen.
> Such shows will not survive - not enough people will listen.
Well yes, exactly. TAL has an editorial voice, it's clear what that voice is (even if it's difficult to describe in conventional political terms), but it's not inaccurate to say that the voice is left of center. Moreover, it must be, because that is the market for the show.
As I got older, the content got less interesting.
I think Ira is a hoopty frood; however, Ira lost touch with "American Life" like 20 years ago.
If you reference Hitchhiker’s Guide to the Galaxy, it’s “hoopy frood” without the ‘t’ :)
Some episodes hit so hard they can change how you think about something.
There is a fun graphic novel about how TAL and other narrative radio shows are made. I forget it's name, buts its great.
They also briefly had a TV show that I liked and spun off serial and many other shows and introduced me and the world to David Sedaris.
“Each week, we bring you stories of life in Britain. Not extraordinary life. Not even particularly interesting life. Just… life. Grey, tea-soaked, mildly apologetic life. Today’s theme: Standing Quietly in Queues While Contemplating Death and Crisps.”
Ira: By the way, a very un-British way to organize her life, Bim says, to embrace delight wholeheartedly and un-self-consciously.
Bim: Fundamentally, I'm fighting against every urge in me, which is like, don't. Don't do that. Because I'm still British. I can't help that. So I'm always just thinking to myself, just going like, oh, is that too much? I feel very much like somebody's disapproving nanny. Stop that. That's too much emotion. You know, there's a reason why our national sound is a tut. [TUTS] Stop it.
It's an admonishment. It's like, stop it, you know? There used to be a talk show, and the theme song was a little child singing in this very sing-songy voice-- (SINGING) it'll never work. It'll never work. And that is how I feel about most things.
Ira Glass: That would never be a show here.
Same thing with Hidden Brain. Impactful episodes that can change your life but the guy's voice puts you to sleep so it's like taking an upper and a downer at the same time.
It’s a fictional drama but it’s really interesting to watch ‘Law & Order’ episodes from the 90s and throughout the years.
You can kind of witness the erosion of civil liberties over the seasons and as someone who experienced it in real life, it’s pretty wild to see (at least in a fictional universe) how the police state (this is probably a misnomer, but I fail to find the proper wording in this moment) is enabled to supersede civil liberties in the interests of ‘security’ and law enforcement.
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