This is taking a monkeys on a typewriter approach to all music. Click a button, see what the monkeys made and then click another button to publish to Spotify while you figure out a way to either market the music or just game search and digital assistants by creating an artist with a similar or slightly misspelled name as someone popular. Rinse and repeat.
Yes there are smaller creators who are trying to make something net new, but unfortunately 99.9% of the small artists are also derivative and lack originality.
I see AI music as just continuation of the sad state of the industry at the moment. Hopefully it accelerates the demise of the industry as we know it and restarts the cycle of creation.
This wouldn't necessarily be a problem as long as people were still free to create on their own. But instead, everyone is forced to spend more hours in menial bullshit jobs for less and less (relative) pay just to survive. Give everyone enough resources to live at least a simple life, and both human creativity and AI creativity can blossom at the same time. But of course that means fewer yachts and hookers and drugs for the billionaires, so it is verboten.
Oh wait.
The vocals are definitely not that.
The tech here is fantastic. I love that such things are possible now and they're an exciting frontier in creation.
It's very dystopian to feel that the robots are making generic human-music with indescribably lifeless properties. I'm not an artist, so I don't feel personally attacked. Much like image gen, this seems to be aimed at replacing the bare-minimum artist (visual or auditory) with a "fill in the blanks" entertainment piece.
In image gen: comfyUI gives a node-based workflow that gives a lot of room for 'creative' control, of mixing, and mathematically combining masks, filters, and prompts (and starting images / noise {at any node in that process}).
I would expect the same interface for audio to emerge for 'power users'.
1. Marcel Duchamp. 1917
2. Andres Serrano. 1987
3. Maurizio Cattelan. 2019
4. Darren Aronofsky. 2017
5. John Cage. 1952
6. Vito Acconci. 1972
For example, a podcaster/youtuber may want a short intro track. An entertainer or a marketer may want some generic or silly background music.
Does it have a use case for a producer/musician? Maybe. It might give them ideas for chord progressions, melodies, etc. But real music does that too, and much more effectively.
This is like the dotcom era of where every idiotic idea that ended with, "but on the internet", would get a pile of cash thrown at it. We are officially at the beginning of the end. It's only going to get dumber from here.
"That is not allowed by our terms of service"
I think the rebellious nature of art inherently has boundaries these people won't cross.
It's amazing that the songs sound pretty natural
abdullahkhalids•49m ago
thepryz•26m ago
magicmicah85•23m ago
sorrythanks•19m ago
magicmicah85•11m ago
And then I found this live version here that I'm studying: https://www.youtube.com/watch?v=pPQZsp59szo
neonnoodle•22m ago
KerrAvon•11m ago