In fantasy / sci-fi, I'd unreservedly recommend:
- Ursula K LeGuin
- Steven Erickson
- Gene Wolfe
With reservations, I'd recommend:
- Patrick Rothfuss (unfinished)
- George RR Martin (unfinished; sometimes dodgy prose, but occasionally transcendent character and theme)
- Dune (just know it goes downhill fast after the first book)
Elsewhere, but still genre (ie: meant to be entertaining, not uber-serious, self-conscious "literature"):
- Patrick O'Brian
- Arthur Conan Doyle
- Dorothy Dunnet
I'd recommend Rudyard Kipling's short stories, but they're hit and miss, and sometimes out of step with modern mores. Maybe stick with the Jungle Book, and Just So Stories, and if you like those make sure you read Without Benefit of Clergy, They (short stories), and Kim (a masterpiece of a novel).
Once you've got through those, Hemingway is approachable, and the true modernist master. Fiesta / The Sun Also Rises (same book, known by different names in different parts of the world) is ironic and beautiful; A Farewell to Arms is beautiful and almost unbearably sad; his short stories are impeccable.
About an hour into that, pouring sweat, he stops cold and says "what the hell am I doing?" The flooded camp was actually nice on a hot day and all we really had to do was move a couple of tents. He dropped the shovel and spent the rest of the week sunbathing, fishing, snorkeling and water skiing as God intended. He flipped a switch and went from Hyde to Jekyll on vacation. I've had to emulate that a few times.
Day two we looked at each other, had an adult beverage with breakfast, and relaxed for the rest of the trip.
However now he has started to write stories about dragons and things, and that's a pretty interesting development.
I don't know how long they'll let me keep doing it for, but I don't see any reason to stop
As always, there are tradeoffs, and you can't walk everywhere or always have these types of mindful experiences. On the other hand, life is short and perhaps paradoxically, slower experiences can yield richer days.
And similar to the point OP made, you get more out of it when you attend more closely. And similarly, most music does not withstand this level of scrutiny.
My dad was a busy construction contractor. One summer he tore himself away from work and took the family to a week long boat camp out next to a big beautiful lake. It turned out that our campsite was actually in the lake by a few inches at high water, but dad saw a way to dam it off and keep it dry, so he grabs the shovel and starts digging trenches and building walls and ordering us around.
About an hour into that, pouring sweat, he stops cold and says "what the hell am I doing?" The flooded camp was actually nice on a hot day and all we really had to do was move a couple of tents. He dropped the shovel and spent the rest of the week sunbathing, fishing, snorkeling and water skiing as God intended. He flipped a switch and went from Hyde to Jekyll on vacation. I've had to emulate that a few times.
This is true for Tolkien, Turgenev, Hemingway or Pound. The amount of information per page—per word!—is incredibly high, which permits the conveyance of ideas which simply do not land when spoken more plainly.
You don’t need to go to high literature to find this density, by the way. Political speeches from Republican Rome and America’s Founders have a similar aspect to them.
The title failed to inspire but I heard it was worth the read and stepped through line by line.
It hit with a depth that I know with complete certainty I would not have gotten if I worked through at my usual pace or took it in as an audiobook.
Nassim Taleb’s books are also favorite slow reads of mine.
All this said, I collect books faster than I can read them so there’s always a feeling somewhere that I should be pushing through a little faster.
Ah well, in the end I think that really comprehending a handful of quality books is about as good as a shallow comprehension of many more.
This worked for me... for a time. And then what happened surprised me (but maybe shouldn't have): I started zoning out and thinking about other things, missing important details, while reading aloud. Wild that we can even do that.
In fact, I noticed that whenever a book becomes most exciting, I start reading especially fast (to the point of skipping words), because I want to know what happens next. So I spend the least time with the best parts of the best books.
Ever since I realized that, I have switched pretty much exclusively to audiobooks. I don't really know if it's faster or slower overall, but it's a predetermined pace, and that works better for me.
I came here to say "I hope that you are recording yourself so that you create your OWN audiobook"
chilmers•1h ago
xeonmc•1h ago
loloquwowndueo•47m ago
qwertytyyuu•43m ago
Dylan16807•41m ago
The article advocates not rushing. In general, that's a good fit for audiobooks.
Zenbit_UX•38m ago
Second of all, I took TFA advice and read that article with the slowness and deliberate attention it recommended and found it to be trite and difficult to distinguish from AI slop… but if that’s what brings this person joy, good for them.
Who cares if the GP eats their cookies in one bite and listens to their audiobooks at 2.25x speed? Because one self help guru turned blogger said it’s a bad idea?
loloquwowndueo•35m ago
crazygringo•21m ago
> limiting myself to mouth-speed
Audiobooks are mouth-speed.
The article suggests this is the right slow speed, at least for the author.
Maybe you yourself want even slower, but that's not what the article is suggesting.
sublinear•16m ago
UltraSane•8m ago