Compose + --- produces —
See all other combos in /usr/share/X11/locale/en_US.UTF-8/Compose
But who is using it without it in common scenarios?
https://www.merriam-webster.com/grammar/em-dash-en-dash-how-...
Smart tools like LibreOffice and above indeed help with it, but in other scenarios, especially common browser usage that's not the case. Compose key is really useful for that, but it's not widely known outside of Linux.
A few of the easier to remember:
option + 0 for degrees º
option + u for to place an umlaut over the next typed character (when it's a valid combination, anyway) ëüä
option + c for cedilla ç
Also if you need ad-hoc bullets, just reach for option + 8.
• Like this.
The difficulty in accessing symbols like these is one of my (I'm sure correctable) hang-ups when using Linux — Arch, btw.
A keyboard with every possible character would have its own simplicity challenges.
By 2022, doing the same would be a political statement.
The problem is, I don't recognise it has having ever been a big thing. I tend to read books from the early to mid 20th century. I don't notice lots of dashes. Semi-colons are just as rare. I think both were always niche.
They are more prevalent in nonfiction.
- The Great Gatsby, F. Scott Fitzgerald, 1925: 28 on the first 10 pages https://archive.org/details/greatgatsby0000fitz_i1g1/page/n9...
- Love among the chickens, P. G. Wodehouse, 1909: 15 on the first 16 pages (and some of them spaced and extra long; apparently this publisher had a very “inflationary” style!) https://archive.org/details/loveamongchicken00wodeuoft/page/...
- Of Human Bondage, W. Somerset Maugham, 1915: eight on the first ten pages https://archive.org/details/ofhumanbondage0000wsom_j3w4/page...
- Howards End, E.M. Forster, 1910: at least 49 in the first ten pages https://archive.org/details/howardsend0000fors_q9r3/page/n9/...
It's pretty common to see a single em-dash for the comma-like parenthetical usage (p6 etc.) and a double em-dash for the "someone's dialogue was interrupted and cut off" usage (p15).
The "I'm redacting this name" usage (p11) often uses two em-dashes too, although Wodehouse('s typesetter) doesn't in this case.
Em-dashes not so much, but I'm so deathly sick of people complaining that some piece of text must be LLM-generated that I feel the need to start using it as well.
This is not a problem. Or rather, it is not a problem in the way that I think you mean.
Em dashes do not need to be a big thing to be useful, which they are; they also do not need anyone's personal recognition to do their jobs.
The problem may, in fact, be that they used to be more of a niche punctuation mark that people were not very familiar with. Now that LLMs have fallen in love with them and throw them around like candy, if people have hardly ever seen them used in well-written text before, they might treat them alone as a much stronger signal for LLM generation than they should — which is precisely what is bringing em-dashes under fire these days, and hence results TFA.
So, yes, indeed, in some ways the problem is, that you don't recognise it has ever been a big thing.
Virginia Woolf's writing has the most semi-colons I've seen and almost as many em-dashes. It fits her stream of consciousness style where there are very few hard stops.
Jack Vance used semi-colons in almost the opposite fashion to increase the tempo by having short clauses without using conjunctions. His action scenes are sometimes almost staccato.
Just today I'm reading Patricia McKillip and noticed she also used a lot of em-dashes.
- Leave It to Psmith, P. G. Wodehouse, 1923: five on the first two pages https://archive.org/details/bwb_O8-BSS-318/page/10/mode/2up
- Kim, Rudyard Kipling, 1901 (1913): fourteen on the first three pages https://archive.org/details/dli.pahar.1530/page/1/mode/2up
- The Sun Also Rises, Ernest Hemingway, 1926 (1954 printing?): ok, I admit Hemingway was very spare with punctuation; I noticed none https://archive.org/details/bwb_C0-BHF-057/page/2/mode/2up
- Men of Mathematics vol 2, E. T. Bell, 1937 (1953 printing): two in the three pages of the Preface https://archive.org/details/MenOfMathematics/page/n5/mode/2u...
- The Story of Philosophy, Will Durant, 1926 (1962 printing?): seven in the first five pages https://archive.org/details/THESTORYOFPHILOSOPHY1TheLivesAnd...
- The American Language, H. L. Mencken, 1919: ten in the four pages of the preface https://archive.org/details/americanlanguage00mencuoft/page/...
(The counts are just the ones I noticed; there may be more.)
Are the books you read very different, or do you have a different threshold for "rare"/"niche"?
I asked Perplexity in a months long development task that is both complex and complicated what punctuation I should utilize to minimize token and computational cost to get best results, and using semi-colons to delineate related requests in a single prompt was best. Separate prompts for different aspects of the specific projects, or double spaces between sentences. Placing commas inside or outside quotes wasn't mentioned. But third most important, according to Perplexity, was capitalizing important words even if they weren't proper nounds, which I did not expect but now fear I will over-use (I still write thank-you letters by hand, so YMMV!)
Em dash forever! Along with en dash for numerical ranges, true ellipsis not that three-period crap, true typographic quotes, and all the trimmings! Good typography whenever and wherever possible!
Quoted text is a sacred verbatim reproduction of its original source. Good authors are very careful to insert [brackets] around words inserted to clarify or add context, and they never miss an oppurtunity (sic) to preserve the source's spelling or grammatical mistakes. And yet quoted text can just suck in a period, comma, or question mark from its quoted context, simply handing the quoting author the key to completely overturn the meaning of a sentence?! Nonsense! Whatever is between the quotes had better be an exact reproduction, save aforementioned exceptions and their explicit annotations. And dash that pathetic “bUt mUH aEstHeTIcS!” argument on the rocks!
“But it's ugly!”, says you.
“Your shallow subjective opinion of the visual appearance of so-called ugly punctuation sequences is irrelevant in the face of the immense opportunity for misbehavior this piffling preference provides perfidious publications.”, says I.
"Hello," he said.
"Hello", he said.
Only one of these makes actual sense as a hierarchical grammar, and it's not the commonly accepted one! If enough of us do it correctly perhaps we can change it.It’s true, though, that the hierarchically wrong option looks better, IMHO. The whitespace before the comma is intolerable.
This is an interesting case where I am of two autistic hearts, the logical one slowly losing vehemence as I get older and become more accepting of traditions.
I only discovered two spaces after a full stop/period was a thing after moving to the U.S., and only apparently in people over 40.
Also, Pluto is still a planet because the new planet definition is absolutely stupid, and it wasn't really their word to work with anyway.
I don’t regularly use en-dashes, cause I don’t know how to make them.
I picked up the habit a couple years ago of just undoing the autocorrect to an em dash and leaving it as two dashes to avoid accusations -- now it’s stuck with me
— drob518
--
inopinatusWhen I was growing up, I saw plays also use it like this:
The two are in a room.
-- Some guy says this
-- The other guy says that
You just don't see em-dashes used like they used to -- and it shows!I believe I've also seen it in Spanish and Portuguese.
Related and perhaps interesting: https://mathstodon.xyz/@mjd/114730157688607856
Blot out, correct, insert, refine,
Enlarge, diminish, interline;
Be mindful, when Invention fails;
To scratch your Head, and bite your Nails.
Your poem finish'd, next your Care
Is needful, to transcribe it fair.
In modern Wit all printed Trash, is
Set off with num'rous Breaks⸺and Dashes—
― Swift, Jonathan (1733). On Poetry; a rapsodyNow everyone asks me what AI I’m using
It's so interesting to me that human writing is subtly changing to mirror AI writing.
It's really only devs / engineers I see doing this, probably in some quest to create an indistinguishable voice in the name of productivity or something.
A punctuation mark was “cringe”? Seriously? Is this middle school?
tldr: use spaces around em dashes
Now if you were willing to switch to en-dashes, maybe we could overlook the overexuberance. ;-)
I grew up among European and other international English speakers and writers, and no one blinks an eye at a semicolon or an em-dash. I'm not saying they use them frequently or overuse them, they simply know how to use them correctly and use them well. Writing without either is like ... cooking without garlic. You can, but it certainly makes affairs a lot more boring.
Now I understand that America has gone through 1-2 generations of English language teachers drilling their students to simplify, simplify, simplify and emulate the ideal of Hemingway. Is that where this all comes from, do you think?
No. It comes from the fact that Americans are functionally illiterate and genuinely have no idea how to use or interpret em dashes or semicolons. They don't use them and don't expect anyone else to use them. The only time Americans see these punctuations are in the handful of classic books they're required to skim to pass high school English class.
https://nces.ed.gov/surveys/piaac/2023/national_results.asp#...
screenshot for convenience: https://i.imgur.com/IMrCZch.png
data explorer: https://nces.ed.gov/surveys/piaac/ideuspiaac/report.aspx
https://english.stackexchange.com/questions/295674/origin-of...
I think so. Strunk & White is distinctly American. You see simplicity encouraged by others, including Virgina Tufte (_Syntax as Style_), and her well-known son Edward Tufte.
When I was learning to write, em dashes were not even touched on. The idea that exotic punctuation could be required to express cogent thoughts in academia would get laughed out of the room.
Now I use Vim digraphs. ^K-M.
Some other useful ones to memorise:
0150 the endash, 0133 the ellipsis, 0145 the single quote opening, 0146 the apostrophe/single quote closing, 0147 and 0148 for double quotes, 0149 for a bullet point.
Option-Shift-Hyphen for em-dash
Option-Hyphen for en-dash
Shift-Hyphen for underscore
Let the em-dash remain upon the height of style. Let the hyphen toil in the shade of the valley. And let the en-dash—patient, capable, and unjustly overlooked—at last be admitted to polite society, where it may properly mediate matters of form–function.
(Yes, of course the proclamation was written by Gemini. I gave it some guidance - that's it).
Especially when there's never any context where you can create a minimal pair between two utterances that would give them a different meaning depending on which dash was used. An em-dash is just a stuck up en-dash. I even hate the terms "em-dash" and "en-dash" now, after the typographical snobbery that flooded the culture for about a decade after web fonts got invented and standardized. Frontend developers and web designers started getting big salaries and buying fancy wines and whiskies, so I had to hear the word "Helvetica" 50x a day.
Choose your poison at https://www.compart.com/en/unicode/category/Pd
(One might feel that normal keyboards don't have a compose key.)
On the other hand, normal keyboard have an insert key which serves no purpose and can thus be remapped to compose.
Not on Mac:
hyphen/dash: -
En-dash: ⌥-
Em-dash: ⇧⌥-
https://books.google.com/books?id=c6MIAAAAQAAJ&pg=PA86
https://languagelog.ldc.upenn.edu/nll/?p=20844
But if I understand https://news.ycombinator.com/item?id=46395467 correctly, this em-dash broadside was itself AI-generated, so any similarity to the above might be completely unintended by the human who wrote the prompt. (Anyway, the similarity is superficial or spiritual at best.)
kayo_20211030•1mo ago
kayo_20211030•1mo ago
BeetleB•1mo ago
Restored.