(There's no TAA in my use case, so there's no advantage for interleaved gradient noise there.)

EDIT: Actually, I remember trying R2 sequences for dither. I didn't think it looked much better than interleaved gradient noise, but my bigger problem was figuring out how to add a temporal component. I tried generalizing it to 3 dimensions, but the result wasn't great. I also tried shifting it around, but I thought animated interleaved gradient noise still looked better. This was my shadertoy: https://www.shadertoy.com/view/33cXzM

Looks pretty good! It looks a bit like a dither, but with fewer artifacts. Definitely a "sharper" look than blue noise, but in places like the transitions between the text boxes you can definitely see a bit more artifacts (almost looks like the boxes have a staggered edge).

Thanks for bringing this to my attention!

Absolutely - there's a reason why traditional litho printing uses a clustered dot screen (dots at a constant pitch with varying size).

I've spent some time tinkering with FPGAs and been interested by the parallels between two-dimensional halftoning of graphics and the various approaches to doing audio output with a 1-bit IO pin: pulse width modulation (largely analogous to the traditional printer's dot screen) seems to cope better with imperfections in filters and asymmetries in output drivers than pulse density modulation (analogous to error diffusion dithers).