If you're planning to do that. Set aside a lot of time.....
Also, CLAP uses 3 or 4 methods to represent MIDI data (MIDI1, MIDI1 + MPE, MIDI2, CLAP events). This requires to write several converters when implementing a host.
But, CLAP is much simpler and doesn't use COM-like system (VST3 resembles a Windows COM library with endless interfaces and GUIDs).
Also, VST3 interfaces in SDK are described as C++ classes with virtual functions (example: [1]), and I wonder how do they achieve portability, if the layout for such classes (vtables) is not standardized and may differ across compilers.
[1] https://github.com/steinbergmedia/vst3_pluginterfaces/blob/3...
I think there's still a lot of bad feeling about the fact that there are many VST2 plugins that are open source but nonetheless illegal (or at least tortious) to build.
It will be a while, if ever, before most plugins get the CLAP (pun intended).
Almost all VST plugins have an AU version (like 80%-90% or so, and 99% of the major ones).
Almost no VST plugins have a CLAP version (like 1%-5%, and that's charitable).
previous examples:
* Yamaha saved Korg by buying it when it was in financial trouble and giving it a cash injection, only to then sell it back to its previous owners once they had enough cash[1].
* Yamaha in the 80's had acquired Sequential (for those not familiar: Sequential Circuits is one of the most admired synthesizer makers). Many years later, Sequential's founder Dave Smith established a new company under a different name and in 2015 Yamaha decided to return the rights to use the Sequential brand to Smith, as a gesture of goodwill, on Sequential's 40th anniversary (this was also thanks to Roland's founder Ikutaro Kakehashi who convinced Yamaha that it would be the right thing to do) [1][2][3]
[1] https://www.soundonsound.com/music-business/history-korg-par...
[2] https://www.gearnews.com/american-giants-the-history-of-sequ...
yamaha: sure, here you go
customer: great, thanks! lol, I also need a motorcycle. Do you know where I can buy a good one?
yamaha: you're not gonna believe this...
Also, you should note that Yamaha Corporation, the musical instrument maker and Yamaha Motor are now 2 distinct independent companies, even if were originally part of the same group.
It's worth a watch.
On another note, it's very telling that companies that protect their "hey! we do this interesting thing, gonna buy?" character survives for much longer compared to companies which say "we can earn a ton of money if we do this".
The companies in the second lot does a lot of harm to their ecosystems to be able to continue existing.
Their speakers i think are lovely examples of their engineering quality. Great and honest sound, some of the best out there, and they are not super over-priced. Also ,they are super repairable. Had some really bad experiences with other brands which were, more expensive for a more biassed sound, had 'black gunk' over the PCBs as some kind of anti-repair mechanism. (overheats the boards too! ew!) and other crappy issues.
Cool to hear there's such a story behind the quality. Makes sense!
1. Great news! VSTs seem to fill an important role in the audio-processing software world, and having them more open must be a good thing.
2. From the things they mention, the SDK seems way larger than I had imagined, but that is normal for (software) things, I guess. "This API also enables the scheduling of tasks on the main thread from any other thread." was not easy to unpack nor see the use of in what was (to me) an audio-generation-centered API.
3. The actual post seems to be somewhat mangled, I see both proper inline links and what looks like naked Markdown links, and also bolded words that also have double asterisks around them. Much confusing.
VST plugins almost all have a GUI, thus the VST SDK has to support an entire cross-platform UI framework... This threading functionality is mostly about shipping input events/rendering updates back and forth to the main (UI) thread
JUCE is a popular UI framework (at least it was 10 years ago). But I've seen people put electron apps somehow into a VST.
Concretely, it made distributing OSS VST plugins a pain. Especially for Linux which generally will want to build their packages.
At the same time Steinberg also open sourced their ASIO audio hardware interface standard but under GPL3. GPL2 here would have made more sense to me to align with the Linux kernel GPL2 only licensing. So why GPL3? Other commenters here have mentioned OBS, and OBS is "GPLv2 or later" so sure that works for them. Not being GPL 2 and missing on the Linux kernel just surprises me.
I have been using the nice cwASIO (https://github.com/s13n/cwASIO) re-implementation of the ASIO SDK, it's MIT licensed. https://github.com/s13n/cwASIO. It's nice there just to see something more up to date than the ancient ASIO SDK documentation. I would love to see the Steinberg ASIO SDK updated and improved, if you are listening Steinberg folks: nobody cares about the history of ASIO on Macs or Silicon Graphics Workstations, just dive in and get deep into the weeds of ASIO on Windows, and include lots more sample code, especially covering the ASIO device enumeration mess on Windows.
Steinberg is only going to benefit from this, I think.
As a composer and arranger working with different studios, I need multiple DAWs installed for compatibility. Every time I open my DAW or Gig Performer after a few days, it rescans all plugins. With around 800 installed, that happens across AU, VST, and VST3.
I hope Apple and Avid are holding meetings after this decision to help simplify the life of library/plugin makers. As an example AAX requires a complete mess to compile and test their plugins, and several AU plugins are just wrappers aroud VST that add another layer.
I really hope the next five years bring real standardization and smoother workflows.
codedokode•4h ago
Also the license change could be caused by competition from CLAP which is very openly licensed.