My goal was to build something that was not only fun and easy to use for beginners but also powerful enough for serious producers. I did extensive research on existing drum machines, analyzed their UX, and tried to build something that adds something new.
It's a nearly 100% client-side app, written in ClojureScript, and is a PWA so you can install it to your home screen for an app-like experience.
Besides the standard grid editor, Beat Maker has some unique features that I think HN readers might find interesting:
- Procedural sample generation. One annoying thing about writing beats is searching through folders full of samples. I wanted to improve this and so I added the ability to generate new samples with a single click, giving you an infinite supply of unique drum samples. * Generative beat creation. If you're looking for inspiration, Beat Maker can generate entire patterns for you as a starting point. You can then edit and tweak the beat to your liking. Great for solving the "blank canvas" problem and giving you something good to start from. * Advanced export options. This is where it really shines for producers. You can export your work as: * A standard WAV loop * Individual stems (ZIP) * A MIDI file * A ZIP file of all your samples as WAVs * A SoundFont (.sf2) drum kit from your generated samples * An Impulse Tracker (.it) file for use in trackers like Renoise, OpenMPT or a Polyend * Pocket Operator/Volca sync. It can output a sync signal on the left audio channel to sync with these hardware devices for perfect timing. * Per-Note FX. You can add effects like volume slides, repeats, and start volume changes to individual notes for more complex drum phrases incorporating flam and roll.
As an old school tracker guy, I'm particularly excited about the Impulse Tracker export mode. I was surprised to discover how many DAWs (including hardware like Polyend) can import this format. Of course, you can also pull up Impulse Tracker on DOSBox, or the more modern re-implementation, Schismtracker for that retro experience.
By the way, the beat generator feature is not trained on any artists or anything like that. It's an algorithm I built from scratch myself.
The audio engine is built on a declarative audio graph (using `virtual-audio-graph`), inspired by React's virtual DOM, which makes managing the Web Audio API much cleaner. If you're building web based audio apps I highly recommend checking out this library.
I'd love for you to try it out and let me know what you think. Feedback (and the inevitable bug reports) most welcome! Thank you!
P.S. Also, here's a video summary: https://youtu.be/qVmEn9z3H24
thw_9a83c•4mo ago
s20n•4mo ago
This is the repository for the webaudio functions <https://github.com/chr15m/cljs-dopeloop>
recursive•4mo ago
thw_9a83c•4mo ago
You can get an explanation directly from the MPC 3000 manual [0].
> Does that mean you can push the swing beats all the way to the next time slice?
At least the original MPC series couldn't move the note to the next time slice. The maximum setting was 75%. That made the first note of each pair of 1/8 or 1/16 notes three times the length of the second note.
[0]: <https://www.manualslib.com/manual/207365/Akai-Mpc-3000.html?...>
recursive•4mo ago
That sounds like a very normal and unremarkable swing implementation, like I've used in every DAW and sequencer. But maybe MPC did it first, and I've been using MPC-like swing this whole time.
chr15m•4mo ago