In this song, which is also chapter four of the movie Interstella 5000 movie (spoilers from here!), the knocked-out singers are scanned, parameterized, brainwashed, uploaded into The Matrix, and then used in the following songs of the movie-album to robotically mass produce music.
It makes perfect sense that the BPM is 123.45 because that’s exactly the sort of thing you get when a manager (who’s shown at the end!) just enters some numbers on the keyboard into the bpm field. They don’t keysmash the numpad; they just hit 123456789 until the field is full!
So not only does the song itself convey what some boss thinks is music, robotically beating at 123.45 bpm, but it is itself about being endlessly-rotating brainwashed-boring cogs in a pop music production industrial machine. I’m pretty sure the movie scene cuts and animations are timed specifically to the beats of the song, but knowing that they’re timed to a machine-specific bpm that a human would never select at random with a metronome?
Absolute genius.
I had no idea. Thanks for posting this.
EDIT: At 123.4567bpm, I think the track has precisely 0.2345 seconds of silence before the first 'beat' of the song and actually has 456 beats total, which is either numerological nonsense or pure genius by Daft Punk. Math elsethread :)
60 * 445 / 216.276 = 123.453365145
60 * 445 / 216.282 = 123.449940356
60 * 445 / 216.276 = 123.453
60 * 445 / 216.282 = 123.450
So if the correct pair of values there ends up being 445 / 216.27000197, then it'll be:
60 * 445 / 216.27000197 = 123.456789
Or, since one of those programs had four decimals:
60 * 445 / 216.27015788 = 123.4567
Or, if it's 444/446 rather than 445:
60 * 444 / 215.78415752 = 123.4567
60 * 446 / 216.75615823 = 123.4567
But I see that they cut the "whooshing intro" at the front, which I imagine is part of the beat — they're in the hands of the machine now, after all! — so if we retroactively construct 123.4567 bpm into the silence (which, they estimate, is 5.58s):
5.58s * (123.4567bpm / 60s) = 11.4814731 beats
Assuming that the half a beat of slop silence there has to do with format / process limitations with CD track-seeking rather than specific artistic intent, we get:
+11 intervals @ 123.4567 bpm = 5.346s
Which, when added to the original calculation, shows:
60 * (445 + 11) / (3:41.85 - (0.5.58s - 0:5.346s)) = 123.4567 bpm
And so we end up with a duration of 221.616 seconds between the calculated 'first' beat, a third of a second into the song, and the measured 'last' beat from the post:
60 * 456 / 221.616 = 123.4567 bpm
Or if we use the rounded 123.45 form:
60 * 456 / 221.628 = 123.45 bpm
And while that 22+1.628 is-that-a-golden-ratio duration is interesting and all, the most important part here is that, with 123.4567bpm, I think it's got precisely 0.2345 seconds of silence before the first 'beat' of the song (the math checks out^^ to three digits compared against the first 'musical beat' at 5.58s!), and so I think there's actually 456 beats in the robotic 123.45 song!
:D
^^ the math, because who doesn't love a parenthetical with a footnote in a red-string diagram (cackles maniacally)
5.58s - (60 * 11/123.4567) = 0.2339961 ~= 0.234
5.58057179s = 0.23456789 + (60 * 11/123.4567)
Can't believe it's been almost 20 years since Alive 2007!
prompt> You are a commenter on a popular tech-focused discussion forum. Write a comment about how Daft Punk still surprises us, despite the fact that they're retired. Include a note about how much time has passed since they last performed. Also, include the album name itself. The comment should be brief and mildly enthusiastic. Phrase it in such a way as to attract many upvotes from community members.
chatgpt> Daft Punk continues to awe us, even after their retirement. Can't believe it's been almost 20 years since Alive 2007!
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I swear, the AI Policing around here is getting annoying.
Anyway that album, Discovery, is full of funny bits. Track #11 Veridis Quo sounds like "very disco". Turn those two words around, and you got the album's title.
Haha if only
Well the tempo is steady by human standards, but latency and jitter on timing signals are recurring issues in electronic music. Some devices put out very steady timing but don't like being slaved to another device, bugs can creep in at loop points or pattern switching (even on Roland's latest flagship drum machine, which costs most of $3000), things can get messy if there is too much note/controller data and so on.
I thought BPM detection has been extremely precise for some time now (for electronic music anyway). Does this mean when software like Mixxx reports (for example) 125 BPM the raw output of the algorithm might have been 124.99, but some higher logic replaces it with an even 125?
xvxvx•2h ago
styluss•2h ago
tantalor•1h ago
gaazoh•40m ago
Also, C418 put a creeper face in Minecraft's soundtrack.
afandian•1h ago
duskwuff•1h ago
There's a better visualization of the track here:
https://www.youtube.com/watch?v=BHup81lEjqo
gregoryl•45m ago
If you're up for it, trade a music rec?
Try:
Scorpion Mother - Thief https://www.youtube.com/watch?v=5A3113EQvLg
wonger_•15m ago
Certain Indian music and metal seems to scratch a similar itch for me. And of course orchestra and drum n bass.
jasongill•12m ago