Might I make a few specific suggestions:
- allow combining breve over Latin y as well: sometimes that's handy for indicating contrast
- check the height of stacking diacritical marks: a perispomenos tonos or circumflex accent over a breathing mark over a vowel (like in εἶναι eĩnai) ends up stacking up tall enough to intersect with descenders (like on ζ zeta) from the line above
- the circumflex over alpha (ᾶ) looks really good, because it follows the curve of the alpha itself, but circumflex over eta (ῆ) looks off-center, because it left-aligns to the ear on the left of eta. The same could be said for the iota subscript (ᾳῃῳ): it looks great under alpha and omega, but it's a bit awkward under eta because of how far to the left it is.
- have you considered adding a variation for the Porsonic or single-curve circumflex?
dsevil•2d ago
I thought its features would make it the basis of a good coding font, too. Old Timey Mono is much closer to the original while Old Timey Code makes it an even better typeface for writing source code.
It was the coding font used in the Turbo Pascal 3.0 user manual. I've not seen it elsewhere except old patents' cover pages.
Enjoy and if you have any comments or questions, comment or enquire away.
https://github.com/dse/old-timey-mono-font
https://webonastick.com/fonts/old-timey-mono/
chrchr•4h ago
bluenose69•4h ago
JonathonW•3h ago
Old Timey Code fixes both of these-- it has a slashed zero and redraws the number 1 to be distinct (angles the top serif).
somat•1h ago
and having said that, forget authenticity, I really appreciate typefaces that make an effort to distinguish all characters.
VTimofeenko•3h ago
merecactus•1h ago