Probably almost any method is effective at learning guitar, as long as it includes the key factor - time spent practicing.
If you mess up, redo the part you messed up correctly 5 times in a row.
And, don't just practice the easy stuff. You have to challenge yourself to grow.
why am I posting here instead of practicing?
Everything takes twice as long to learn because I first have to unlearn the old habits.
And as my music professor once said: "If you sound good while practicing, then you're not practicing."
There are a few pedagogical points here to keep in mind:
first, there are local maxima in terms of learning something like guitar where you get bad habits and the only way to progress is to undo them.
Also, different ways of learning have different values in terms of what goals you're aiming towards and very importantly what kind of practice will keep you motivated in a sustainable way. Sometimes, taking shortcuts in some ways means you might slow down your growth rate but you'll have better overall growth because you'll keep at it for longer
I lived near a music school and took proper guitar lessons. After getting down the basics from the Alfred Method book, this was the homework my guitar teacher gave me.
Coincidentally enough, I was also transcribing RATM back then too...
First, figure out the bass line. That typically suggests the chord progression. If you know your chords, then, for simple songs, you have the rhythm figured out.
For solos, it's more tricky. If you aren't familiar with common soloing patterns (licks) and/or scales then start with simple solos and work your way up.
Anyway here is my app of shame:
https://kelvie.github.io/chord-finder/
I also came to the realization after making this that my time was better spent transcribing, but I wanted to learn egui (and this was before coding agents, so it actually took some time).
In a similar vein I think that's why there are so many devs making game engines instead of games.
https://strangestloop.io/essays/things-that-arent-doing-the-...
The greats who became so good doing this had massive amounts of time to do it and put in massive amounts of effort.
I forget where I heard this story -- it's probably either rather famous, or buried in an interview somewhere.
I play every day, I do my solos, I play blues, I don't need chords. But it's hard.
Just don't underestimate how hard it is - to be able to play any solo by ear. I guess I just don't have any freaking talent. Pretty obvious at this point, since some people do a better progress in 3-5 years of work.
But for me it's not. I realized that for me something isn't just clicking. There was no breakthrough moment I expected all these years.
I invested a lot into playing guitar, but... meh. Honestly, I wish I spent all that time learning AI math or just math in general. Or spend my time on something that would have a better ROI.
Looking back I see how much effort it took, and how low my ROI is. I wish I gave up earlier.
I suspect it's actually impossible to get reasonably good at something without some amount of passion for it, to some degree or another. Most musicians are in it for the thrill of learning something that most people find hard to do, or because they love music, or because they want to be part of a community that values music. Occasionally because they think they can make money at it.
I play an instrument or two, but only for fun. I love music, but I'm at a point in my life where I will never be good enough to be in a band. I have enough other hobbies anyway. I take a random 15 minutes out of my day to play a few songs, maybe practice a new song I'm learning, watch a short Youtube video about it here and there, and that's enough for me.
The fact that some players learn by transcribing, while others learn by jamming, and yet others learn by rote theoretical study, or 10-hour practice sessions, etc, is a big part of the variety which results in the wonderfully varied tapestry of music styles and approaches that humanity creates and enjoys.
Not to take away from the age-old, valid advice in the link about the value of ear-to-fretboard work.
I used to stop all the time, when I made a mistake, between repetitions, when I finished the piece.
I agree about ear to fretboard.
One of the nice things about music is you can’t get good at ALL of it. You have to pick where to focus. I’ll also say, you might need to ask yourself if you want to get better. I love relaxing by reading through the chords on a new song and playing it. I already have a job, and the time I truly have for intentional practice is like once a month. Most people are not studying to become guitar pros but to enjoy their time with the instrument. If that is your goal let joy be your guide. Perhaps some short term pain is part of that journey but really weigh out what you want out of the experience.
In hindsight, once I had learned a song, I had actually learned MUCH more than just that song. It is that "extra" that adds up over time and makes one a guitarist and not just someone who can play some songs on the guitar.
Rock on!
Been plucking at the guitar (literally and figuratively - trying to learn) for a couple of years now and Justin's (free) course was the best I've found. His videos are compassionate, funny, explain things really well and easy to follow. He also dog-fed the instructions by learning to play left-handed (and posted those videos as well, hilarious to watch).
Compared to that, some time earlier I subscribed to a Berklee free course on Coursera (iirc) - Beginner guitar. Felt like a fumbling idiot, almost never touched guitar afterwards.
Really recommended: https://www.justinguitar.com/
> Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
I think listening and transcribing is great advice. Careful listening will help to improve your own listening ability and taste. It also helps to demystify why something is great.
But it's also going to be a struggle - especially at first. You have to be prepared to struggle, a LOT. Most people won't be able to keep at it, and that's one of the things that separates the greats from everyone else.
I’m a banjo player. Starting with tab ( and playing for myself ) quickly got me to a certain level and then ingrained some bad habits. Playing by ear is much better.
One way that seems to work really well: 1. Listen to the song, tap the rhythm to learn it. 2. Figure the chord progression. 3. Using standard rolls ( sequence of notes, one measure ) find how to fit in melody notes
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