Historically, the black flag is strongly associated with anarchism, anti-state politics, revolt, and rejection of national authority.
Had he colored it in the union jack, then I would've said it was nationalism, and the person is blinded by nationalism.
But. This is Banksy, black-and-white Banksy, so there may be no symbolism behind the black flag, but it's just very interesting. I can't accept that he would not have considered the color of the flag.
I don’t understand this. What speaks pro-establishment in this piece?
Which flag? Or, what kind of flag? Or does it matter?
If you asked 100 people to imagine a particular flag to attach to that statue, 95% of them are going to be current, unrecognized, or former states.
It's also referencing the recent flag controversies in the UK over the past year.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
[1] https://www.usatoday.com/story/news/nation-now/2015/10/01/ba...
(Statue (of a man (blinded by a flag (put up by Banksy)))) in central London
It is intended to be
((Statue (of a man (blinded by a flag))) (put up by Banksy)) in central London
You really don't see any good ol' fashioned short and sweet headlines that read best to the ear in a Mid-Atlantic accent anymore.
(Though it's not in /the/ City of London. That wouldn't happen in a million years! City of Westminster is way more culturally flexible)
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that, in one of its better moments, tracks down the people who actually make statues for artists like banksy.
https://en.wikipedia.org/wiki/The_Banksy_Job
edit: I feel I should clarify that this is not an official Banksy documentary. He made "Exit Through the Gift Shop" which is an amazing film which I highly recommend to anyone.
Unfortunately, they often don't meet that bar, so the message has to be in a form they can understand.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
“Nations” as synonym for country started appearing only recently, in last two/three hundred years.
Flags have thousands of years of history.
Seriously, this is part of the fun of art. Neither of you are wrong for reading different messages into it.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
https://en.wikipedia.org/wiki/Operation_Raise_the_Colours https://manchestermill.co.uk/the-men-who-raised-the-flags/
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
You are wrong.
There are many examples of the same thing: Andy Warhol and the soup cans, or the screen-printed portraits with different color backgrounds or Led Zeppelin and English folk hard rock songs that have hobbits in them are two of them.
Eventually, it's hard to even process their work in the context of how predictable and trite it seems to be a few decades later.
It's not so much a secret as it is simply not public.
... that blinds you to any alternative; that indoctrinates distrust in different perspectives.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
“Rage against the machine” by doing what the machine wants type thing.
ggm•1h ago
ua709•1h ago