It's not really possible to remove ourselves from this fact of being human. We can of course create a narrative about removing ourselves from narratives and experiencing the world directly, but that's not it.
Separate topic: The way the show handled Antony’s speech at Caesar’s funeral got one of the biggest laughs out of me of any TV show ever.
On the one hand, okay - it was fancier. However, I do not believe that any public air ceremony with fighting, dying, and live animals in it will be sedate. I’ve been to open air events in many continents, and people just aren’t naturally all quiet like when life and death things are happening. I just cannot imagine this behavior outside of a religious ceremony.
Even at the opera or live theater, both of which darken lights, light a stage, architect for acoustic carry, there is often shushing, resettling, multiple cues for the audience to sort of ‘settle down’ and pay attention. The idea that 50k people are going to watch some captured Christians face down a lion and make no noise while they were their Tuxedo equivalents seems to me to be in its own way a weird and just off Anglicism. I guess I might be straw manning her pitch a little, but I think she just over pitches this idea — I truly think a society that did that would be very, very unusual, to the point of being extremely creepy.
Romance and picaresque dramas weren't that dissimilar to love epics from the Classical times. And ofc treasonry, backstabbings, and the like would be the same today, 300 years ago and millenia ago.
The townsfolk shouting and laughing against a poor dude being burned down between logs wouldn't be that different to similar peasants reacting in the same way to slaves fighting at the Circus.
I think the emphasis is on the class structure, formality, etc. rather than saying the Coliseum followed modern theatre etiquette. And the according comparison about status of attendees, etc.
I wouldn't actually expect to see those norms in Roman culture, given how Latin is naturally a very flowing language and I've never heard of Romans valuing silence like the Spartans (or Japanese for that matter). But I wouldn't consider it particularly strange either - to me, making noise during a tense, violent event seems far stranger.
(Science? Science is a craft for creating stories closely coupled to reality. It's a special case and not as popular as you might think.)
To get popular a story needs to be simple, satisfying, logically consistent with the other stories... I think that covers it.
Reality? LOL. We are bronze-age mud-worshippers.
I think most people that are interested in Ancient Rome, like Rome and think their achievements are amazing. She sees them as patriarchal and violent. This is probably true, but beside the point of why people find them interesting.
Which is a very anachronistic way of looking at things and very unscholarly, too bad, I really wanted to get into her books. I guess the Protestant moralism and virtue-signalling got to her (there are exceptions to this, especially in the German world, but it is my impression that the Anglos never really fully adopted the Romans and the Roman worldview, and I'm including Gibbon in here).
> She sees them as patriarchal and violent.
Both of these things can be simultaneously true. They are not inherently contradictions.
bell-cot•6d ago
(Not saying they're malicious, usually. Just that looks-cool pretend will almost always rake in more revenue than reality. Without the hassles or expense of researching what the truth actually is, or changing their script/casting/costumes/whatever to bear a passable resemblance to it.)