The absolute amateur hour choices going on in the lettering is tipping me towards AI, this is lettering by someone who thinks they know what "a comic" looks like and used "comic book" fonts but has zero idea of how word balloons actually work. Piss-poor internal margins, balloon tails that point nowhere near their supposed speaker, balloons that are weird-ass hybrids of captions and dialogue that have a tiny little vestigial tail that points nowhere in particular, captions and balloons crammed into odd corners of the panels with no concept of overall compositional flow.

Oh and now that I look closer at some panels, yeah, it's AI.

As always when someone shits in my eyes with a bunch of AI imagery, I'm just gonna assume the script is also the result of pointing one slop machine or another at the Wikipedia article and telling it to generate text rather than any sort of human understanding and summarizing going on here. I hate this fucking future.

> Fifty minutes. In the cold. Night after night, for seven years.

> Three pinpoints of light. One photographic plate. Vanished within fifty minutes.

> No university, no lab, no funding. He pulled down the dataset, wrote his own code from scratch, and ran every test independently.

> one telescope, one mountain, one drawer of plates.

> Different telescope. Different continent. Same signature.

> Signed and numbered. Just 150 copies. When they’re gone, they’re gone.

> […]the wider corpus this comic was built from. The science holds because the receipts hold.

> The Palomar Lights — a story told in data, glass, and light.